by Nancy Corson Carter
Fascinated by current interest in Shinrin-yoku,
I learned that the term emerged in Japan in the 1980s to describe a
physiological and psychological exercise, a form of ecotherapy. The purpose was to “offer
an eco-antidote to tech-boom burnout and to inspire residents to reconnect with
and protect the country’s
extensive forests.”1
Forest bathing, as it is commonly
called, can be the reason for people to travel to faraway places like New
Zealand or Costa Rica and hire specialized guides, or it can be as simple as
walking in any natural environment near you and allowing yourself to relax and
consciously open your senses to what is around you.
I’ve found that my delight in the
natural world often increases as I wander with my camera, and it can be in a
place as near as my garden.
When we first moved into our home, I
saw some plants in the little garden strip behind the house that were
consistently gnawed down to the nubs. I decided to transplant them into the
newly fenced front garden. Thus, I was introduced to hostas, no longer just “deer
candy.” When they grew their lovely
leaves and later their flower stalks, I was fascinated. Over the next few
years, I planted new kinds until a lovely variegated circle grew in the shade
of our porch-side magnolia.
I discovered how much I enjoyed
following their yearly cycle and began taking photos of it.
Here are a few photos that illustrate what I consider a kind of “time-lapse” pleasure in the “forest bathing” seasons with these beautiful plants.
I imagined the just-rising plants
as performing a graceful Thai “fingernail dance" and the unfurling of
beautifully formed leaves in colors of greens and blues with some patterning as
another dance with billowing skirts unwinding and twirling like Spanish
dancers.
The elements of light, wind, rain, and the seasonal cycle toward flowering
marked the beguiling dance of a life cycle they represented as a whole, with,
finally, the disintegration of the leaves (probably nibbled to lace by voles,
rabbits, and other animals who could crawl under our fence for a summer’s
end feast), and their final descent through the autumn and winter back into the
Earth.
As I’ve
worked on this collection, I suddenly realized that I have, in my own humble
way, copied what the famous photographer Edward Steichen did in his later years
with a shad-blow tree in his yard—take multiple shots of a beloved subject
throughout its life throughout the year (or more), enjoying its beauty as a
kind of contemplative practice.
The beauty of nature and its uplifting
sense of Creation as a gift we are part of, to enjoy and to care for, is a
constant theme of many of the Psalms. See, for example, the lines from Psalm
104, which open the landmark report RESTORING CREATION FOR ECOLOGY AND JUSTICE,
adopted by the 1990 GA of the Presbyterian Church USA
1Sunny Fitzgerald, National Geographic
online, October 18, 2019, “The Secret to Mindful Travel? A Walk
in the Woods.”
Nancy Corson Carter,
professor emerita of humanities at Eckerd College, has published THREE poetry
books, Dragon Poems The Sourdough Dream Kit, and A Green Bough: Poems for Renewal (most recent) and three
poetry chapbooks. Some of her poems, drawings, and photos appear in her
nonfiction book, Martha, Mary, and Jesus: Weaving Action and Contemplation
in Daily Life, and in her memoir, The Never-Quite-Ending War: a WWII GI
Daughter's Stories. Website: nancycorsoncarter.com
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